New sea view in wales
设计方:奥派事务所
位置:澳大利亚 新威尔士
分类:滨水
内容:实景照片
图片来源:奥派事务所
图片:9张
Jack Evans海港一直是新威尔士的标志性景观,这里被选为重点改造区域,希望能拉动当地经济,增加游客,建造更加多的景观。通过和业主的不断沟通,这个项目显示了场地的社会和自然特征,也保留了场地原有的港口特征。项目对场地进行了许多的调整,包括了移动海滨边缘线。河流的入口控制了整个城市的用水质量。项目对维护不善的运动场地进行了改造,使之成为一个高质量的海滨发展地区。
原有的港口特色是从西南到东北方向的港口形状,新的方案中在这外圈的道路更加强调了这一特征。海滩的地形也根据了纪念性的景观做出了改变。北部的海滩是设计的集中区域:几何式的步道更加贴近海岸线,台阶在礁石中起起伏伏,利用了自然景观的不同形式。
阶段一更加强调了港口的边缘,追求材质、形式和整体的平衡性。阶段二为港口增加了更多的可达到方式、更好的公园和设施。奥派事务所成功的设计了港口的边缘,应对了场地的改变,设计出了适合这里的新景观。
译者:Jevin
Located near the mouth of the Tweed River, the Jack Evans Boat Harbour has long been a favoured spot for the Tweed Heads community of New South Wales. Featuring a safe tidal inlet with gently sloping beaches and rocky shores, it offers easy water access for swimming, boating and fishing. The boat harbour is a low-key alternative to the nearby ocean beaches of northern New South Wales and the Gold Coast, and was targeted by Tweed Shire Council as a cornerstone of its strategy to revitalize the flagging local economy, by increasing visitor traffic and local use through the realization of a strong, multifunctional landscape architecture scheme.
The deck offers seating and viewing areas. Image: Simon WoodBuilding upon a concept plan devised by the council’s landscape architect Georgina Wright, Aspect Studios has gone a long way towards meeting its client’s objectives. The project is subtle, assured and competently executed. It demonstrates an informed appreciation of the site’s social and natural ecologies, but also experiments in matters of planting, construction materials and site planning. The council is to be commended for its strong endorsement of this attitude, the implications of which were explored by its in-house team in conversation with Aspect. In turn, Aspect deserves credit for delivering a project that has all but eliminated any memory of the harbour’s previous incarnation.
This has been achieved through a series of careful adjustments, including shifts to the line of the harbour edge, amplification of important moments along that line, and the formalization of local use habits. The inlet at the mouth of the river has had to alter its course over many decades, meaning the development of the boat harbour posed challenges in the control of water quality, flood and storm surges, diversity of flora and fauna (prompting a mangrove regeneration project), variations in water salinity and wind exposure, management of dune formation and cultivation of resonant environments, both above and below the waterline. The design trades a scrappy and poorly maintained playground for a highly resolved shoreline development.
A new deck placed around existing trees provides a shady setback from the beach. Image: Simon WoodIn plan, the main formal gesture is a single arc extending from the harbour’s south-west corner to the north-east point. This governing line has survived from the council’s concept plan through to realization and acts to firm up the existing habits of use and to ensure a degree of minor land reclamation. A cycle path from the beach deck to the western edge of the northern beach offers a clear outer limit to this gesture, while the harbour edge sustains subtle moments of formal interference registered as shifts in materials and flora, and casual interruptions to the walking path. There are also changes in attitude towards the harbour itself, as the beach terrace becomes a detached promenade before giving way to monumental preformed concrete steps and, on the other side of the northern beach, a long rock revetment.
Through its steps, rocks and tidal pools, the waterfront design reveals the processes of time and tide. Image: Simon WoodThe northern beach is the scheme’s most pronounced design element: a moment of geometrical figuring that can be read in the adjacent pathways and the trapezoid indentation of the beach inlet. A modest sand bank concedes to graded decking as the beach transitions to the parklands. The headland and rock pools imply the continued line, with their steps disappearing and reappearing with the tide, recalling water’s-edge work by Carlo Scarpa, Alvaro Siza and, more regionally, New Zealand practice Isthmus. Strong orthogonal forms are quickly traded for natural forms as tightly choreographed boulders define tidal pools, over and around which children can scramble. Where nature wins on the eastern “shore,” the western edge upholds a more rigid linearity.
The $8.5 million stage one works have firmed up the harbour edge, striking a comfortable balance between context, form, materiality and utility. And in all of this agreeability and resolution, we find the project’s weakness. As much as it might appear finished, the project’s real economic and cultural efficacy lies with the works planned for stage two. These add to the boat harbour more obvious points of access, better parking, bathroom and shower facilities and a cafe kiosk – sacrificing, it must be noted, a caravan park that has long served the community. Importantly, stage two would also complete the Aboriginal and Torres Strait Islander Goorimahbah – Place of Stories wall by introducing an indigenous botanical garden and public art program to what is now a fine, but peripheral formal element. Don’t stop now, Tweed Heads – you’re almost there.
Georgina Wright, landscape architect, Tweed Shire CouncilThe back of the story wall features a large viewingmound. Image: Simon Wood“In 2005, Tweed Shire Council embarked on a project to redevelop a local parkland that had regional, state and national significance. Many community members simply wanted a park with more grass and trees, but the council engineers needed a public asset that would be resilient to the threats of climate change and maintenance issues common in coastal environments. Landscape architects working with local councils are among only a few professionals in a position to mediate these agendas, which often contrast dramatically in scale. This is done with patience, and by recognizing each agenda as a means to an end.“In 2011, after six years of planning and waiting for capital works funding, Stage 1 of the Jack Evans Boat Harbour parklands was redeveloped. The design aimed to embrace the complexities of a tidal estuarine environment and meet the pressures of its contrasting urban landscape.
“Aspect Studios’ design has succeeded in formalizing the landscape at the edge of the harbour, where previous built lines have failed. The project embraces the challenges of the site, using tidal water to bridge the scale divide between the intimacies of the local user and the growing needs of an urban coastal parkland.“The main measure of success is that the dramatic rebuild has created a place that feels like it has always belonged there. Where local criticism may have earlier been directed at the proposed volume of concrete and large-scale infrastructural hardening of the water’s edge, these are the assets that are now praised.
“Surprisingly, this new, popular landscape is the result of the intense bureaucratic processes inherent in regional coastal councils, and public scrutiny. It is the closeness of this bureaucracy to the landscape and the council’s relatively new introduction to the rigours of the landscape architectural process that have – though at times painstakingly slowly – ensured the success of this project.”
新威尔士海港景观外部图
新威尔士海港景观外部图
新威尔士海港景观外部图
新威尔士海港景观外部图
新威尔士海港景观外部图
新威尔士海港景观
新威尔士海港景观
新威尔士海港景观图解
新威尔士海港景观外部图
新威尔士海港景观外部图
新威尔士海港景观外部图
新威尔士海港景观外部图
新威尔士海港景观外部图
新威尔士海港景观
新威尔士海港景观
新威尔士海港景观图解
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