The Elephant House (Villa Kristi)
分类:建筑设计
内容:实景照片
图片:27张
Vilen Künnapu设计的爱沙尼亚大象式的别墅克里斯蒂主要的客户群体是主动性很强且奢华的年轻人们。这一建筑的特别之处就是采用了五彩六色的外墙体设计,且建筑外形酷似大象。这一创意最初是一个客户寄来的一幅奇怪的房子照片,那像极了猛犸象。在最终定型的时候,猛犸象被大象的外形替换了,哥特式的窗户,并将窗口拉成曲线,使线条看起来更流畅。
从Tallinn出发,沿着Muuga游览,我们在距离Maardu城不到一百米的地方选定了这座建筑的位置。在正对着大马路的方向,我画了一个很大的立面,在这一立面的结尾是一堵墙,一个淡蓝色的小象在欢迎游人们进入。立面后的部分被分成两个部分,低的部分是医疗中心,
高的部分则作为这对夫妻和他们两个孩子的居住室。颜色在这一建筑中发挥了很重要的作用。延伸出来的主题部分主要用橘色呈现。剩余的部分则用柠檬黄,淡蓝,淡粉填充。内部的颜色主要是白色,米色,黄色,橘色,红色,蓝绿色和粉红色呈现。这些颜色与住宅入口处August Künnapu的大幅油画和医生候诊室的小幅图画构成了和谐的画面。第一层的住宅分布有一个大厅,车库,健身房,和厨房以及用餐房间。第二层有一个客厅,三个卧室,一个办公室,和一个连接上层的楼梯。阳光可以从楼梯照射到客厅内。别墅的建筑有点十九世纪二三十年代Deco的艺术风格。
整座大象房子在某种意义上可以说是一架时间机器,它引我们进入到一个平行的奇幻世界。或者是一艘带领旅客们横渡大洋的生命之船。
译者: 蝈蝈
The solution of the Elephant House largely rests on the initiative of the young clients with their extravagant wishes, my growing keenness on heavy, stronghold-like architecture and a need to produce colourful solutions. I remember that the clients sent me a picture of a weird house from a computer game, with mammoths, Gothic windows and technological screens. I was certain I was pretty crazy, but was I crazy enough to satisfy the clients? In the course of work, the mammoths were replaced with a sculpture of an elephant calf, the Gothic windows with elongated slits and a few curved windows.
Travelling towards Maardu from Tallinn along the Muuga road, we come to the plot about a hundred metres from the border of Maardu. I drew a strong façade screen crosswise with the big road, which ends with a wall where a light blue little elephant welcomes the arrivals into town. The world behind the screen is divided into two. The lower part has the medical centre and the higher part is the residence for the couple and their two children.
Colours play an essential role in the solution. The main exterior colour is orange, supplemented in details by lemon yellow, light blue and pink. The interior is dominated by white, beige, yellow, orange, red, bluish-green and pink. The harmony of colours perfectly fits August Künnapu’s large-format paintings in the residence entrance hall and with smaller pictures in the doctor’s waiting room. In the centre of the waiting room is a sculpture designed by the current author, which I see as a time machine or a healing stupa. The walls around the stupa display three round pictures of cats, one picture of a doctor and a painting showing Brezhnev together with Tajik peasants (all by August).
The first floor of the residential house accommodates a hall, garage, gym and kitchen-dining room. The second floor has a living room, 3 bedrooms, an office and a stairwell with light coming from above, also presenting a few of my small sculptures and 2 pictures of the first sketches and watercolours of the house. The large bathroom has a round window opening into the stairwell and to the painting where a girl is taking off a stocking. These pictures have the air of the 1920s about them. I notice that the architecture of the house as a whole somewhat resembles a sense of Art Deco of the 1920s and 1930s. The tops of the New York skyscrapers, after all, constitute energy towers of a kind.
We can say that the entire elephant House is in a sense a time machine, which leads us into a parallel magic world. Or it could be a ship where the passengers take a long journey across the ocean called Life.
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北京 | 建筑设计
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